For test runs, artist drops and runs under 50 pieces: Direct-to-Garment and Direct-to-Film print without screens, without minimums — photorealistic and ready to go at once.

When the run is small, the artwork fine or the time short — that’s when digital plays its strengths.
01
Economical from a single piece — no set-up cost for screens, ideal for tests and reprints.
02
Gradients, photos, fine detail — what hits colour limits in screen printing prints digitally in one pass.
03
With no screen lead time, production starts at once — the fast answer to short-notice drops.
Artwork file, quantity, garment, deadline — quote within 24 hours on weekdays.
We check the print data for resolution and colour space, then a digital proof for approval.
DTG or DTF depending on the garment, piece-by-piece quality control.
Even a single-piece order is labelled, packed individually and goes to warehouse, venue or end customer.
Guide values for planning — we clarify special cases in conversation.

You can order from one piece — there are no screens to set up and no minimum run. It becomes economical from around five pieces, because handling and setup time only spread out from there. That is why the technique is the answer to test runs, artist drops and reprints.
DTG prints on cotton, DTF on almost anything — blends and polyester included. Which of the two is used is decided by the garment, not by the motif.
Yes. Full colour and photorealistic in one pass — exactly where screen printing runs into its colour limits. On dark garments too, with a white base printed first.
Under ten days from your approval — the screen lead time disappears entirely, the step that comes before every new motif in screen printing. For short-notice drops that is the decisive difference.
Up to 40 degrees, washed inside out. That is more cautious than screen printing, which survives 50 washes — in return you get photographic motifs and runs from a single piece.















Have quantity, deadline and artwork at hand. Then we can start costing right away.