No run starts blind: every production gets a digital proof for approval — position, size, colours in black and white. On request a physical press proof follows before the run goes live.

Because misunderstandings are cheap before production — and expensive after.
01
The proof shows what gets printed — position, size, colours. Misunderstandings die before production, not after.
02
Approval via link instead of email ping-pong — one click, documented, traceable.
03
When the stakes are high: a physical press proof before the run — see it, touch it, then approve.
We check resolution, colour space and placement of your print data.
The proof arrives as an approval link — position, size and colours at a glance.
A physical sample on request before the run starts.
Only your documented go starts production.
The approval loop is part of every production — it’s the standard, not a paid extra.
Always. Every production gets a digital proof — position, size and colours in black and white. Nothing starts without your documented go-ahead.
On request, before the run. When a lot is riding on it, that is the difference between seeing and holding.
By link, with one click — documented and traceable. No email ping-pong where nobody knows afterwards which version applied.
That depends on the technique. For screen printing, vinyl and appliqué, vector data — AI, EPS or PDF, with Pantone colours, because every colour there is a separate operation. For digital print and sublimation, pixel data from 300 dpi at final size is enough. For embroidery a clean original will do: we create the embroidery file; if you already have one, send it along.















Have quantity, deadline and artwork at hand. Then we can start costing right away.